INTERNATIONAL JOURNAL OF ADVANCE RESEARCH
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This article explores the poetic treasures concealed within the Mānasollasa, a comprehensive Sanskrit text authored by King Someśvara III in the 12th century. The Mānasollasa, often translated as "the delighter of the mind," is an encyclopedic masterpiece encompassing a wide array of subjects, including governance, ethics, astronomy, perfumes, and music. This analysis, however, places its primary focus on the poetic contents.

Someśvara, celebrated as a distinguished Indian poet, skillfully combines poetic artistry with critical acumen. His work demonstrates an unparalleled balance of sound and sense, vivid characterizations, and profound insights into human nature. Notably, he addresses a broad spectrum of poetic topics, showcasing his extensive knowledge of Alaṁkāra Śāstra, the study of poetic ornamentation.

The analysis delves into Someśvara's thoughts on the essence of poetry, theories of Rasa (aesthetic sentiment), Chandas (prosody), and various figures of speech. Someśvara's poetic brilliance is further revealed as he explores Rāgas (melodic modes) and Bhāvas (emotions), exhibiting his proficiency in composing poetry in multiple languages. A key highlight is the elucidation of Śastra Vinoda and the nature of kāvya (poetry) within the Mānasollasa.

The study underscores Someśvara's adept handling of figures of speech like simile, metaphor, and allegory, showcasing his mastery over poetic devices. His use of language is characterized by a seamless flow, simplicity, and a focus on substance over form.

In abstract, comprehensive analysis of Mānasollasa by Someśvara unveils the poetic treasures hidden within this ancient Sanskrit text. It sheds light on the profound insights, linguistic artistry, and creative brilliance of Someśvara, making the Mānasollasa an invaluable resource for scholars and enthusiasts interested in Indian poetics and culture.