Indian theatre icon Girish Karnad has made a significant impact by deftly fusing folklore, traditional Indian mythology, and modern concerns. This study examines Karnad's innovative method of theater-making, emphasizing the way he combines historical stories with modern theatrical devices. Through detailed analysis of plays such as “Hayavadana”, “Nagamandala”, “Tughlaq”, and “The Fire and the Rain” the article highlights Karnad’s use of non-linear narratives, meta-theatre, and traditional performance styles. It explores his complex character portrayals and thematic preoccupations with identity, self-realization, and political disillusionment. The article concludes that Karnad’s unique theatrical language bridges the past and present, offering a profound commentary on societal issues that remain relevant today.